Novel Conversations: Connecting with disability in three examples of popular fiction

Joanna Rankin, PhD, Instructor, Community Rehabilitation & Disability Studies

Cumming School of Medicine, University of Calgary

joanna [dot] rankin [at]

Abstract: Examining how readers of popular fiction respond to characters with disabilities and characters immersed in the lives of characters with disabilities, this paper serves to contribute to understandings of the meanings that readers ascribe to disability in popular culture using the public sphere of online discussion. Specifically, I study online reader discussion of three characters, namely:  Trudi in Ursula Hegi’s (1996) Stones from the River, Icy in Gwyn Hyman Rubio’s (1998) Icy Sparks and Jewel in Brett Lott’s (1991) Jewel. I present findings from my analysis of reader discussion using readers’ descriptions of their identified connections with characters with disabilities. While these connections challenge the othering frequently cited in presentations of disability through readers’ recognition and appreciation of the well-rounded characters beyond traditional disability tropes, the unmet potential of reader discussion to challenge the status quo is also demonstrated through readers’ failure to expand these connections beyond the pages of the novels.


Novel Conversations: Connecting with disability in three examples of popular fiction

Joanna Rankin, PhD, Instructor, Community Rehabilitation & Disability Studies

Cumming School of Medicine, University of Calgary

joanna [dot] rankin [at]

I have loved to read as long as I can remember. Some of my happiest memories of childhood are going to the library, coming home and curling up with my new collection of books, not knowing where to start amidst the selection of new worlds at my feet. Today, a new stack of books brings me the same child-like joy it always did. Often my favorite part of the day, reading, allows me to escape into a fictitious world, if only for a few minutes each night. Like many readers, I learn from books, about history, about geography, about lives both similar and different from my own. Characters I come to know, to love and hate, teach me about life, inspire me, and make me laugh and cry. Many novels have touched and even changed my life. I recall the heavy heart I felt reaching the end of Gone with the Wind (Mitchell, 1936), a big, long, indulgent novel. I felt a sadness at not only what happened in the story, but also that Rhett and Scarlett and the world that accompanied Tara would no longer be part of my daily routine. I reminisce about Holden Caulfield, my first literary love, whose outlook and adventures soothed my adolescent soul in The Catcher in the Rye (Salinger, 1951), and Sethe, in Morrison’s Beloved (Morrison, 1998) introduced to me in a second year English course, who haunts me to this day. These stories are windows into others’ lives; the characters are people, and their experiences genuine. While intellectually, I understand them as fictitious, in my heart they are real, their actions and experiences far more influential than most people that I meet. I, like many, do not read with the intention of literary criticism. While perhaps influenced by these tools and observations, I read to escape, to understand and to become what often feels like an intimate part of lives beyond my own. Reflecting my experience, others describe a connection with novels and characters and the unique shared humanity experienced through reading. Novelist George R.R. Martin (2011) exemplifies this writing that “A reader lives a thousand lives before he dies…”


The purpose of this paper is to contribute to understandings of the meanings that readers ascribe to “disability” in popular culture through an examination of how readers of popular fiction respond to characters with disabilities, and characters immersed in the lives of characters with disabilities, using the public sphere of online discussion.  Specifically, I study online reader discussion of three characters, each of whom has a disability or is immersed in the life of a character with disability within a work of popular fiction centered on disability, namely:  Ursula Hegi’s (1996) Stones from the River, Gwyn Hyman Rubio’s (1998) Icy Sparks and Brett Lott’s (1991) Jewel. To achieve this purpose, I define disability in accordance with the World Health Organization definition as entailing impairments (problem in body function or structure), activity limitations (a difficulty encountered by an individual in executing a task or action), and participation restrictions (a problem experienced by an individual in involvement in life situations) (WHO, 2011). This definition has been used to reflect the medicalized understanding of disability most closely represented by readers and authors. As in lived experience, readers tend to interpret representations of disability through a medicalized view, even if the author has not had this intent rather than reflecting the more socially conceived notions of disability common in disability studies.

I provide background for my study beginning with highlighting the impact of popular fiction within popular culture and I follow this with a discussion of disability portrayals in popular fiction in general and how these portrayals may illuminate meanings of disability in public opinion.   I then present the theoretical anchoring of my study in terms of Habermas’ theory of the public sphere.  Following this, I justify my instrumental case study approach by examining evidence of reader described connections to characters with disability and characters who are immersed in the lives of characters with disabilities. To focus my study I use a textual analysis, an approach described by McKee (2003) as allowing researchers to come to informed conclusions about the interpretation of text. Accordingly, I gathered and examined data about the ways that people understand the world, how they make sense of the world, and how they fit into the world in which they live (McKee, 2003) and how each of these factors is informed by the characters with disabilities that they discuss. I present findings from my analysis of reader discussion of characters with disabilities, or characters immersed in the lives of characters with disabilities, in the form of links I identified between readers descriptions of their connections with characters and the potential for reader discussion to both uphold and challenge the status quo through the formation of public opinion.


Recognizing the Impact of Popular Fiction

Fictional presentations hold power to shape public opinion through emotional responses, (Spelman, 1997) closeness to characters (Long, 2003), and empathy (Davis, 2008). The study of literary works of fiction has developed into, and is maintained as, a valued academic discipline (Eagleton, 2003). The roles of emotion and connectivity in the study of fiction though, has been devalued and reflects ascribed low levels of cultural capital (Mazzocco and Green, 2011, Oately, 2011). Bourdieu’s cultural capital, Farr (2005) explains is based on “cultural elite sensibilities…that are socially scarce” and the disavowal of mass culture. Looking to the readers of the novels of Oprah’s Book Club (OBC) and their interpretations of disability in these novels, challenges the sacred nature of literary elitism and confronts the notion of literary expertise and widespread disdain for the popular based on the notion of cultural capital. Resistance to this blurring of boundaries is shown through Rooney’s (2005) observation that in serious circles “It’s just not hip to be comfortable with Oprah’s Book Club.” (33). This sentiment is upheld by literary author Jonathan Franzen’s refusal appear on the Oprah Winfrey show when The Corrections (2001) was featured in the club because he felt the novel was “a hard book for that audience” (Schindehette, 84,cited in Rooney, 2008). This is echoed in examples such as the prideful exclamations of independent book sellers advertising with slogans such as “books you won’t see on Oprah” (Rooney, 2008, 1).

Culturally esteemed novels are rarely reflective of what the public is reading. While Farr (2005) recognizes that 75% of fiction is bought and read by women, and fiction markets are dominated by female authors, the majority of award winning novels and authors (e.g. Nobel Prize, National Book Award, Pulitzer Prize, Giller Prize) are dominated by men. Since the time of Farr’s research, these trends continue. Women author’s consistently win significantly fewer major literary prizes than their male counterparts. From 2005-2017 female authors won a total of eighteen of the above listed awards where male authors won thirty-three.

Award Male Female
Nobel Prize for Literature 9 4
National Book Award 9 4
Pulitzer Prize for Literature 7 5 (no award given in 2012)
Giller Prize 8 5


This table shows the number of major award given to male and female authors from 2005-2017

Correspondingly, consideration of what is being read and reacted to by the widespread, pronouncedly female reading audience is minimal. An assumed passive reader stance including a lack of serious analysis, as well as the idea of “reading for pleasure” continue to be linked to femininity and associated with the non-serious and devalued readers identified by Long in 2003.The popular culture book club and especially the OBC, on which this research is based has been critiqued based on the commercialization of literature, the fact that one person, an entertainer at that, has so much power in the literary world (Rooney, 2008), the resulting discussion of novels as Orwellian groupthink (Farr & Harker,2008) and as toxic entertainment which contaminates culture (Abt & Mustazza, 1997). I believe these assumptions that entail being highly critical of popular fiction’s exploitation of what are considered easy issues, which play on sentiment fall short by failing to appreciate the impact of popular reading and its resulting discussion.

In this study, I move outside these guidelines to examine the devalued voices of popular fiction readers, recognizing the role of popular reading in the context of disability along with scholars who look to the possibilities provided by readers connections with characters, to explore the impact of what Oatley (2011) notes as “…the possibilities, the vicissitudes and the emotions of being human” (196) that accompany the discussion of books. Readers spend hours with characters and settings as they move between reading fiction and living the reality of their own lives. The voices of readers, who have obtained and read a novel then taken time to share their opinions of, and experiences with, the novel, bring a new voice to our understanding of the meaning of novels and uphold Moody’s (cited in Cheyne, 2012) observation that “popular narrative is not trivial”. This study is a redress to the devaluation of the consumption of popular fiction and is anchored in feminist and cultural scholarship aimed at re-evaluating the significance of the emotional and connective capacity of readers’ experiences outside the boundaries of cultural elitism. I seek to elevate and analyze the online voices of readers as they describe their responses to, and connections with, characters with disabilities and characters immersed in the lives of characters with disabilities.

While reading itself transports us, discussing books adds a layer to the experience of novels in readers’ lives. Discussion solidifies the connections experienced between readers and characters (Long, 2003). By collecting data similar to that collected from studies of more traditional book clubs (see for example Long, 2003 or Radway, 1997) the online discussion of novels, offers a rich and temporal source of information regarding the ways in which individuals talk about novels, connect with characters and shape public opinion based on their interactions with characters and scenarios.

Disability in Fiction

A historical review of fiction provides abundant examples of disability from ancient mythology to the present. In fact, presentations of disability in novels have been widely studied and are identified as ubiquitous across cultures and time (Shakespeare, 1997). These presentations have been identified as an archive of untold histories (Mitchell & Snyder, 2001); a source of imagery, stereotypes and symbols (Biklen & Bogden, 1977, Gartner, 1987, Kriegl, 1987, Longmore, 1987, Norden, 1994); a record of attitudes and reactions towards disability, as a narrative prosthesis to propel a story forward (Mitchell & Snyder, 2001); a means of imposing standards of normality, conformity and productivity (Davis, 1995, Keith, 2001); a gendered issue (Fine & Ash, 1988, Morris, 1991); and as a contributing element of social and cultural identity (Mitchell & Snyder, 2002, Thomson 1997a, 1997b), and a reflection of belief systems (Stiker, 1999).

The role of culture in disability research has grown in recent years, and the developing study of disability in fiction demonstrates a broad range of areas of interest, considering topics such as, the continued use of stereotype (Wheatley, 2017), children’s literature as a challenge and upholder of societal attitudes (Adomat, 2014), the role of affliction in our literary cultural traditions (Holmes, 2017), questions of inclusion (Murray, 2017), disability and masculinity (Bourrier, 2015), genetics, bio-ethics (Barker, 2013) and bio-politics (Mitchell, 2015), the relationship of race and disability (Jarman, 2017) and the role of disability and rhetoric (Dolmage, 2017). Attention has also been given to extending the exploration of the role of disability in specific genres such as crime fiction (Jakubowicz & Meekosha, 2004), romance and genre fiction more generally (Cheyne, 2011, 2017), science fiction (Allan, 2013, Berube. 2005), comic books and graphic narratives (Foss, Gray, & Whalen, 2016) and young adult fiction (Hughes, 2017). Analysis around specific disabilities portrayed in fiction such as Autism (Rodas, 2016) and blindness (Bolt, 2014, 2005) are interwoven in these writings along with re-approaching traditional literary texts from a disability perspective, such as in Bolt, Rodas & Donaldson’s (2012) volume on Jane Eyre, Oswald’s (2016) contemporary analysis of The Sound and the Fury, and Hall’s (2012) analysis of modern fiction.

Theoretical Framework

Jürgen Habermas presents a theory of the public sphere based on ideals of public debate. Habermas recognizes the role of citizens in the deliberation of common issues and competing ideas towards the formation of public opinion. Hauser (1999) goes beyond Habermas’ more formal conceptions of deliberation to identify the role of everyday discussion or “vernacular”. Hauser points to “rhetoric”, persuasive communication and eloquence as components of language structure, function and patterns of use, and notes how these constitute powerful tools in “discourse” and the formation of public opinion. This study takes up Hauser’s more day-to-day conception of public sphere as described by Spoel, Harris and Henwood (2014) who write “Where Habermas idealized the salon and tearoom, Hauser privileges street corners, bars, and bowling alleys”. I argue that readers’ “rhetoric”, and “discourse”, or what I refer to more simply as their discussion and debate, about characters with disabilities, within an online “public sphere”, constitutes an important part of the discussion that shapes public opinion and ultimately, cultural perceptions of disability. I treat readers’ discussion and debate as a sample of interactions of the sort identified by Hauser and as constituting the development and proliferation of discussion and debate for which Habermas argues. I analyze this sample for its capacity to shape public opinion in settings which are informal, on-going, and without official rules or boundaries. I argue readers’ movement from the private act of reading about, to online public discussion of, disability contributes to the shaping of public opinion of disability. This open forum is a venue for the expression of multiple perspectives, debate and political participation, which are foundations of a public sphere (Calhoun, 1992, Gripsrud, Moe, Molander & Murdock, 2010). I interpret online discussions about disability as part of a public sphere alongside disability studies theory which challenges the devaluation, historical oppression and exclusion of people with disabilities. I use this theory as an abstraction and set of tools rather than an absolute which as a disability scholar shapes how I look at these issues.



I used a textual analysis study design to guide my examination of online discussion of disability. Textual analysis entails examining text to gain an understanding of how those who produced the text make sense of phenomena (McKee, 2003). I treat those whose discussion board posts are about disability as the producers of text. I apply textual analysis to a case comprised of online discussion of characters with disabilities and/or characters immersed in the lives of characters with disabilities in three novels with the aim of understanding how readers make sense of disability and to draw conclusions about some of the ways in which this may contributes to the formation of public opinion about disability.

Broader Sample

The three novels comprising my subsample for this study were selected from a broader sample for a study of disability portrayals, and readers’ online discussions of disability portrayals, in novels included in the Oprah’s Book Club (OBC) (Rankin, 2014). These novels were part of the popular talk show the Oprah Winfrey Show between 1996 and 2011. Novels from the more recent manifestation of the book club started in 2012 have not been included.

The original OBC recommended a total of 70 books and my broader sample includes 61 novels from the club recommendations which I selected given their inclusion of characters with disabilities and/or characters immersed in the lives of characters with disabilities. Non-fiction and children’s books are excluded from the broader sample. The 61 novels were published between 1877 and 2011 and encompass English as well as English language translations, by authors from the United States, Canada, Ireland, Germany, Russia, Haiti, Columbia, South Africa, and Nigeria. Thirty-four novels were authored by women and twenty-seven by men. Twelve authors had won a total of fourteen major awards (Pulitzer, Nobel Prize in Literature, James Tait Black Prize for Fiction, National Book Award, Giller Prize, Boeke Prize, National Book Critics Circle Award and, Hemingway PEN Award). One author in the sample self-identifies as a person with a disability in the author description included within the novel. For the larger project from which this study has been developed, a content analysis was conducted to quantitatively measure the occurrence and presentation of disability in novels and a textual analysis was used to interpret readers’ discussion of disability.

The criteria of including only novels from OBC was developed in light of the cultural influence of OBC reflected in the fact that between 1996 and 2002, not one week passed without at least one OBC recommendations being on the best seller list (Farr, 2005). Corresponding online discussions have been widely available and have afforded me access to present-day, real-time reader discussions of disability in novels as well as a temporal source of discussions by readers who have posted comments over the past 20 years.


This study entails an analysis of a case comprised of online discussion of main characters in three novels: Ursula Heigi’s (1996) Trudi, in Stones from the River, Gwyn Hyman Rubio’s (1998) Icy, in Icy Sparks, and Brett Lott’s (1991) Jewel, in the novel Jewel. Discussions of these novels are targeted because within each of the novels, characters with disability, or characters immersed in the lives of characters with disability, are the protagonist and their experience with disability is central to the plot of the novel. Further, the three novels are included given the availability of online reader discussion content for analysis, a web search by book title on the three websites resulted in a minimum of one hundred online comments or posts. I treat the online discussion of disability portrayals in these novels as a sample of a public sphere and I examine readers’ texts in terms of how ideas expressed in the texts uphold and/or challenge public opinions about disability. Using online discussion specific to these three novels affords a glimpse into the ways that novels, and the characters within novels, can illuminate and create meanings around disability. Spanning geographic and chronological settings, the lives of Trudi, a “Zwerg”, the German word for dwarf, Icy, a child with undiagnosed Tourette’s Syndrome, and Jewel, the mother of six, whose youngest child Brenda Kay has Down Syndrome, have inspired readers’ to discuss disability through online posts in ways that both reflect and shape public opinion.

Data collection

Data in the form of online discussion posts pertaining to characters with disabilities and/or characters immersed in the lives of characters with disabilities from the three novels were collected from three online book discussion mediums, namely the OBC website, and Good Reads, which became a subgroup of Amazon in 2013 (Chandler, 2013). These websites were chosen for their accessibility to readers and the range of formats they encompass. The OBC website provides a small number of posts from readers ranging from in-depth discussion to short reviews. Some posts are in response to guided questions, while other posts are unprompted. By comparison, both Good Reads and Amazon provide access to a large number of posts which contain reader reviews, discussion and interactions. A total of 902 posts from the three websites, “published” between 1997-2013 and ranging in length from a single sentence to just over one single-spaced page, were reviewed.

Data analysis

Analysis began with reading and reviewing all available posts novel by novel to gain familiarity with the content of the data. The largest number of posts pertained to Stones from the River (357), followed by Jewel (310) and Icy Sparks (235). I initially divided posts into smaller themes for analysis including: 1. Reasons readers’ love/hate the book, 2. Ideas that challenge literary authority 3. Expressions of emotional connections with characters, and 4. Discussion of disability and other social issues. My next stage of analysis entailed examining posts for inclusion of discussion of disability or characters with disabilities. I examined posts in terms of whether readers were discussing peripheral versus main characters and whether readers gave evidence of viewing disability as central to the novel. Disability-focused posts that pertained to main characters and gave evidence of disability as central to the novel comprise my final sample of 402 posts. These posts were drawn from each of my four initial themes although relatively few posts were drawn from the “ideas that challenge literary authority” theme. I cut and pasted my sample of posts into a word document according to their initial theme then conducted an in-depth textual analysis to identify what is in the text and giving it a name or theme (McKee, 2003; Berg, 2004). Themes were chosen to “reflect all relevant aspects of the messages and retain, as much as possible, the exact wording used in the statements (Berg, 2004, p. 268) and I followed the interpretive practices of constant comparison in attempting to uncover patterns (Berg, 2004). I generated three thematic streams including: (1) Connecting with disability in a cruel world, (2) Collective suffering, and (3) Cautionary tales of motherhood.

Postings Reviewed

Book Stones From the River Jewel Icy Sparks Total
Total posts reviewed 357 310 235 902
Posts included in this sample 168 116 118 402

This table shows the number of posts reviewed and included in the sample for each novel

Findings: (Dis) Connections

Through the online discussion of characters with disabilities and/or characters immersed in the lives of characters with disabilities portrayed in these three novels, readers give evidence of experiencing a variety of connections with Trudi, Icy and Jewel, the protagonists in each novel. I have presented my findings by quoting reader discussion posts and identifying readers by their user names and the date of their discussion post in parentheses immediately following quotes.

Readers’ discussion of disability initially appears encouraging in the acknowledgement of, and respect for, the diversity that characters represent, and readers described connections and empathy with these characters. Beyond the stereotypical tropes that are frequently identified in the literature surrounding characters with disabilities, readers’ repeatedly cite the ways in which they feel bonded with Trudi, Icy and Jewel. Readers describe these characters as “flawed”, but “good”, based on their “humanity” which includes living with or supporting someone living with disability. Characters are upheld for how they “educate” (Caroline Gibson, 2013) and normalize difference (georgia_1_ moses, 2001), Readers discuss relating to characters’ intense emotional experiences of love, sadness, outrage, shock, disappointment and hope. While this initially appears promising as a foundation for readers’ to positively shape public opinion about disability through their experiences with characters, upon further investigation the connections described can be seen to exist consistently in contexts of adversity rather than more general settings, upholding rather than challenging the negativity associated with disability. Specifically readers’ identify with characters in terms of 1- connecting with disability in a cruel world, 2- collective suffering, and 3- cautionary tales of motherhood.

Connecting with Disability in a Cruel World

Readers’ frequently reference their connections with characters in terms of characters’ historical and social settings of hardship, specifically, Trudi in Nazi Germany, Icy in a small, severe Appalachian village and Jewel in the poor and racially divided, rural Mississippi of the 1940’s. Their settings constitute the harsh context within which characters’ experiences, specifically, Trudi’s small stature, Icy’s “fits and pops” and Jewel’s burden of caring for her youngest daughter, play out.

The emotions readers describe demonstrate reader fondness, respect and love for the characters. Readers speak in terms of “falling in love with” the character of Trudi (Christina B. Erickson, 1995) and “absolutely loving everything about her” (Carolyn Seefer, 1997). In relation to Trudi in particular, readers commend the author for bringing the “historical atrocity” of Trudi’s context to life through the story (Author and Avid Reader, 2006). Though Trudi’s corporeal form is not the object of Nazi scrutiny, her physical difference and identity as an outsider, during this era of conformity and chaos is central to the story and Trudi’s environment is fundamental to her devaluation and mistreatment. While readers’ debate whether the central theme of the story is about Trudi, or the Holocaust more generally, readers’ posts demonstrate a keen recognition of “Trudi’s disability, if that’s the word for it” (A Customer 1, 1998) as an allegory for the Second World War. Readers identify Trudi as a symbol of the “terrible things that happened to the Jews in Germany during the war” (, 1998). Trudi’s “bravery” and “humanity” (I love reading and going on vacation with my family, 2012) in contrast to this backdrop is central to how readers discuss their connections with Trudi including feeling that they can locate themselves in her world. A Customer 2 (2001) describes “becoming a part of this time and place” and experiencing a resulting “empathy for the characters and the moral dilemmas they faced”.

Similarly, readers describe Icy as a “delightful heroine!” (Sharon Kinman, 2012) who will catch “your heart in the first few pages…” (Lisa Fischbach, 2002). This likeable, funny (L.M. Boilard, 2002), charming, bright, (Kay Mitchell, 2002) and complex, (Bob Artege, 2005) character is one that readers “couldn’t help but love” (Ellen Teo, 2012). Icy, is discussed as a misunderstood child within the harsh, mythologized cultural region of Appalachia in the 1950’s which is central to the story. Readers’ describe and connect with Icy’s painful experience of being different within this context. Scorpiogirl (2001) observes “In the end, this book is not simply about Tourrette’s [sic] syndrome. It is about human ignorance, fear and tolerance”. Much like the discussion of Trudi, readers’ associate Icy’s difficult times with her disability with the setting in which she exists.

Readers’ describe a sense of knowing Icy and sharing her emotions. A Customer 9x (2002) says “I was so [pulled] in to Icy's life!! I felt pain with her, I felt love with her, I felt joy with her, I felt sad with her”. The author’s ability to put the reader in Icy’s place “…makes you cry with Icy's defeats and leaves you elated with her victories.” (Brandi Stewart, 2002). In contrast to the unforgiving environmental and social backdrop, readers’ consider their own “responses to difference” (Kelly Budd, 2001). Readers express relating to this “sweet child” and brave young woman in the context of the harsh environment that rejects her.

While Jewel is not “loved” in the same way as Trudi and Icy, readers discuss Jewel’s parenting authenticity and struggles as powerful and speak admiringly of her ability to love and fight for both her daughter Brenda Kay and her family more generally. “She’s human,” “strong and forceful” (A customer 3, 1999), and has an “indomitable spirit” (Bearette24, 2000). Jewel’s devotion to her family is described as “breathtaking” (, 1999).

Jewel’s experience raising Brenda Kay, who has Down Syndrome, plays out in rural Mississippi during the 1940’s and 50’s. Jewel and her family move from a setting of poverty, racism, misogyny, ignorance, and the hard life of the Southern poor to California to pursue what they perceive as increased open-mindedness, specialized schools and services for Brenda Kay . Readers speak of Jewel’s pain and burden associated with managing difference, and disability specifically, within the divided, racialized context of the South. Negative attitudes towards Brenda Kay and her difference are conveyed by doctors, friends and community. Jewel’s ultimate deference to her husband, and even Jewel’s use of racist language, are discussed in online posts as reflective of the backwards and intolerant environment which contrasts with Jewel’s deep and unconditional love for Brenda Kay. A reader, Sabel (2007) claims the book is “realistic” and “accurately reflects the culture and attitudes towards minorities (African-Americans and people with disabilities) of its setting”. Readers also describe Jewel’s experience as highlighting the “struggle to gain equality for the Brenda Kay’s of our world (A Customer 6, 2000) and advance larger issues of ‘compassion, forgiveness, disappointment and acceptance”.
Collective Suffering

Readers discuss the characters in terms of readers’ own experiences of unhappiness and struggle. Readers discuss Trudi, Icy and Jewel in terms of their difficult experiences with disability and readers link these experiences to their own dealings with sadness, hopelessness, defeat and isolation.

Trudi is shunned by family and community based on her physical difference and (1998) describes Trudi’s as “…the story of a girl whose physical differences set her apart from others her own age”. Readers’ frequently share their own experiences of not fitting in and use this as a basis for their connections with Trudi. Trudi’s pain, negation and attempts to fit in are equated with readers’ interpretation of universal experiences as A Customer 7 (1998) states: “Trudi is not just a dwarf, she is me. She is anyone who feels uncomfortable in themselves”. While A Customer 8, (1999) claims: “Trudi represented our internal shame through her dwarfism…” other readers express being moved by Trudi’s experience and aspiring to Trudi’s strength. Robert Spencer (1998) for example admires Trudi’s “…power to bind, heal or destroy” and her story “about being different in the world, about learning self acceptance [sic] and growing to adulthood, about recovering from self hatred [sic] and learning to love…”

Like Trudi, Icy’s character arouses readers’ expressions of connections with Icy’s experience of rejection by peers and community. Readers describe identifying with Icy’s plight relative to unhappiness in their own lives. Kristine (2001) conveys feeling Icy’s “pain and confusion ... I have felt alone, fearful, ashamed, angry, hopeless and confused." Experiences of loneliness, sadness, frustration, and anger were described as familiar “because I was once a kid having to deal with the ridicule of others”. (A customer 9, 2001).

Readers’ frequently describe their own need to be loved and accepted in a world where they do not fit in. Kerrie (2001) proclaims: “I suffer from the same syndrome that Icy suffers from. The ‘I need to be accepted and loved” syndrome”. Mauricewms (2001) concludes, “Icy’s trials seemed no greater than anyone who doesn’t fit within the confines of what our culture deems normal…it matters not what our differences are, we deserve to be accepted for them, included with them”.

For her part, Jewel, as the parent of a child with a disability, evokes reader connections related to difficulties of parenting and raising as family in a “tough” situation. Jewel’s daughter, Brenda Kay, is identified as the cross the family has to bear. Even before her birth, Brenda Kay is prophesized in the novel as “ yo’ hardship…yo’ test in this world” (42) which resonates with readers. They refer to Jewel’s strength “to indure [sic] the heartaches life can bring.” They talk of “struggle” and “hanging on for dear life” (suz, 2012) and cast Jewel’s experience as a realistic portrait of hardship.

Cautionary Tales of Motherhood

Readers express strong emotions toward characters through their discussions of motherhood. They empathize with the experience of not having a mother depicted by Trudi and Icy and they also criticize and admire Jewels’ devotion to her daughter Brenda Kay. Readers’ converge in reinforcing beliefs about the expected role of mothers and their descriptions stand as a “cautionary tale” about the unfortunate fates of mothers of children with a disability. Both Trudi and Icy’s mothers die, and Jewel’s family and marriage are jeopardized by Jewel’s commitment to Brenda Kay.

The absence of Trudi’s mother is central to Trudi’s character. Near the beginning of the story, Trudi’s mother is institutionalized owing to her deteriorating mental health upon the birth of Trudi, her “aberrant” daughter. The immense pain caused by having a child with a disability leads to Trudi’s mother taking her own life. Red Haircrow: Writer, Educator and More (2011), a reader, describes the link between Trudi’s birth and her mother’s mental health stating “Trudi’s birth, her dwarfism is yet another trigger into her mother’s slow descent into madness.” Beverly Diehl (2013) speaks to the perceived injustice of Trudi’s life as both a person with dwarfism and as being born to a mother who does not respect the implicit sanctity of this role, saying, “Trudi is a Zwerg, a dwarf…and what makes matters worse, her mother is crazy.” The burden of disability which spans two generations in this example, serves as a warning to mothers of the tragedy that can ensue when an adult with a disability (in this case, madness) becomes a mother as well as through the arduous and painful mothering reality of bearing and raising a child with a disability. While Trudi and her father share a close relationship, the departure and psychiatric state of Trudi’s mother is far more focal in readers’ posts. Readers bond over shared contempt for mothers who abandon their children and distaste and fear of the combination of motherhood and mental illness.

While Trudi’s mother abandons her, Icy’s mother dies shortly after Icy’s birth and this is quickly followed by the death of Icy’s father. Readers discuss the loss of Icy’s mother far less than the loss of Trudi’s mother as Icy has the benefit of a nurturing relationship with her grandparents. “Orphaned at a very young age, spunky Icy is raised by her loving grandparents” (Irishcoda, 2007). While Icy’s segregation and sadness are well documented throughout the novel, readers’ counter her unhappiness with the love of her grandparents. Yet readers caution about the hazard of having a child with a disability as they draw connections between Icy’s Tourette’s and the death of her parent(s), and the subsequent burden of raising Icy faced by Icy’s grandparents. This is evidenced in Ashley’s (2010) classifying the Icy Sparks novel as one of “the most depressing books in the world” about “a girl with no mother, raised by her loving but confused grandparents. A child who's only friend is a 400 pound adult”.

The centrality of motherhood in readers’ descriptions of their connections to Jewel cast disability most clearly as a “cautionary tale” for mothers in that mothers are warned of immense demands and corresponding difficult decisions of parenting a child with a disability. (1999) shares that “Having a retarded daughter is heartbreaking; I know from personal experience.” While readers are divided in their support for Jewel’s decisions, many identify Jewel as sacrificing the family unit for the good of Brenda Kay. One reader recognizes “Jewel was acutely, and sadly, aware of how the care for her youngest child took away from time she would have spent with her older children.” (A Customer 9c2, 2000). Condemning Jewel, Mary Haunreiter (2000) writes “many mothers like Jewel…place their high needs child first”. Justine Cardello (2000) agrees yet qualifies “Yes, a special child like Brenda Kay needs special attention, but not at the cost of your whole family.”


To grasp a culture’s understanding of disability, their ideology and values need to be investigated (Eiesland & Sailers, 1998). In this study, I present a sample of cultural understandings in the form of readers’ online discussion of disability. Presentations of disability in fiction have been critiqued by disability scholars for taking the form of one-dimensional, de-humanizing and stereotypical representations. Comparatively, the online discussions posts about disability analyzed here challenge one-dimensional portrayals as readers’ evidence personal connections with characters with disabilities and disability issues.

Further, these posts demonstrate foundational aspects of a public sphere by incorporating public debate, discussion of issues and competing ideas. In the same way that Habermas and Hauser identify this type of discussion as foundational to the formation of public opinion, discussion from reader posts is formative in the creation of public opinion. Through online discussion posts, readers demonstrate that reading novels can evoke personal transformation (Davis, 2008) as readers describe a bringing together of real and fictional lives toward self-reflection and experiencing multiple subjectivities (Long, 2003). By focusing on visceral connections to characters with disabilities and/or characters immersed in the lives of characters with disabilities, readers identify with traditionally devalued emotional experiences and challenge the conventional assumptions of literary scholarship that the feelings created through the experience of reading are simplistic. Through analysis of discussion posts, I show that visceral connections as part of reading experiences are influential in reader understandings of disability and, ultimately, help shape public opinion about disability.

What can initially be interpreted as readers’ progressive recognition of disability and their ability to blur the able/disabled divide through their connections with characters is in fact, a bearer of false hope, constrained by the settings of adversity in which characters’ lives play out. The connections made, and closeness developed is done so while still re-enforcing the more traditional roles of pity, burden, sadness and overcoming that reader’s themselves have escaped, but where characters with disabilities remain. The adverse settings in which Trudi, Icy and Jewel are immersed leave readers without opportunities to recognize or relate to characters in more ordinary contexts and this may diminish the overall power and wider applicability of readers’ connections with characters. In the same way that McKee (2003) argues that a Hollywood onscreen kiss between men does not challenge heteronormative expectations if the kiss occurs in an extraordinary circumstance, such as in space or a post-apocalyptic world, reader connections with characters in settings of historical brutality, emotional adversity, or failings to meet societal expectations of motherhood, fall short in contesting the established distance between disability and normativity that would challenge the status quo.

Simpson-Housley and Norcliffe’s (1992) argue the importance of what they term “landscape” as they claim that in fictional works, landscape is “more than an ensemble of physical and human components” but rather holds s “a deeper significance closely bound up with attitudes and values” (3). Accordingly, in their discussion of Trudi, Icy and Jewel, readers almost always speak in terms of the adverse physical and social settings in which the characters live. Readers’ keen awareness of characters’ hostile settings fuels readers’ willingness to identify with the humanity of characters with disabilities and discuss their shared outrage at the unjust treatment of the “people” they have come to love. Indeed, characters, bound by the pages of the novel, offer a safe place to connect with disability as well as to offer judgement surrounding the treatment of people with disabilities in the fictional past.

Readers’ own adverse experiences and emotions perpetuate the association between disability and devaluation. Readers describe admiring characters’ “strength” and “courage” yet more frequently and expressively identify with characters’ “pain” and “suffering”. Readers frequently identify the “self-hatred”, “discomfort” and “heartache” experienced by Trudi, Icy and Jewel as their point of emotional connection with the characters. When readers describe their own specific incidences of feeling excluded, they discuss their self-proclaimed devaluation as a painful time or a memory, rather than a current reality. The ongoing devaluation and isolation experienced by Icy, Trudi, and Jewel is not frequently identified as an enduring state for readers. Indeed, readers speak of identifying with devaluation from the safety of having moved beyond their experience of devaluation. Yet readers do not address or expect Trudi, Icy and Jewel to follow this same trajectory which suggests readers’ more subtle acceptance of connections between suffering and disability. Thus reader connections to Trudi, Icy and Jewel hold power to reinforce links between disability and devaluation.

Analysis of this sample of reader online discussions demonstrate that in spite of reader connections with characters, assumptions about links between disability and devaluation limit the impact of these characters in readers’ lives beyond reader engagement with the novels. While the discussion exists in a public sphere with the potential for democratic and progressive exchanges of ideas, this analysis illuminates limits to the transformative potential of reader discussion in its current form. Despite the genuine nature of reader connections to characters, readers’ sense-making of disability experiences are constrained by themes of adversity of characters’ setting and as such, fall short in reframing disability in broader, more profound ways.


Readers demonstrate the potential power of their voices in the shaping of public opinion through their discussion of disability and their connections with disability in novels. Like Habermas’ ideal public sphere, reader online discussion is based on open citizen participation, critical reflection and a location where public opinion can be formed to resolve public issues. (1970, 1971, 1975, 1979, 1989). Through readers’ posts, we see, as Hauser (1999) describes, the shaping of public opinion, in this case, in the discussion of disability. While described connections make inroads to disputing one dimensional portrayals and understandings of disability, we can see in readers’ own words, the tendencies to re-enforce relationships and connections with disability in negative space and time which in turn re-enforce connections outside of valued, normative circumstances. This failure to understand connections as ordinary leaves us questioning whether these connections bring readers any closer to disability/characters with disabilities at all and whether these connections would be made in other circumstances. We should query whether readers’ would find Trudi so “likeable” if she lived in present-day suburbia, or Icy, “loveable” and “beautiful” if she accepted her own diversity or if Jewel would be so compelling if the family had always lived in California?

Recognizing online discussion as a public sphere and the voice of readers as force in the shaping of public opinion around disability, the online discussion put forth by readers serves as a valuable source of information. This analysis illuminates a definitive pattern of connections with these characters in scenarios of difficulty, isolation and suffering and compels us to question and re-interpret the understandings and power of these bonds relegated to negative space and to further question what would push the relationship between readers and characters with disabilities beyond connections through adversity to create a more fruitful discussion in this public sphere. While the original book club ran from 1996 -2011, nine years after its conclusion, reader comments continue to be added to the discussions of these novels and their characters. Present-day comments continue to uphold the patterns identified through earlier posts. Recent examples such as Judy’s Reviews (2017) identify Tourette syndrome as “tough and frightening”. Kiel (2017) exemplifies the continued connections that exist between the cruelty of the world, character likeability and reader sympathy. She notes “I fell in love with Icy and just wanted to jump into the pages, give her a hug, and tell her that I would be her friend”. Casey (2015) confirms this once more, noting Trudi as “sad but fascinating” and the novel itself as “horribly sad” but “very rewarding to read”. The connections described past and present too often presume the lived experience of disability is associated with pain and suffering. Exemplifying Alexander Pope’s (1709) classic recognition “A little learning is a dangerous thing” these interpretations demonstrate readers’ regular limited understanding of disability as a social issue. Their general discussions bring forth a potentially distressing correlation between readers’ feelings of connectedness to and understanding of disability and their simultaneous beliefs about the inferiority of people with disabilities in comparison to the accepted norm. These types of discussion, highlight the continued need to question public opinion surrounding disability and the implications of such opinions on contemporary issues such as the recent legalization of assisted suicide in Canada, where public opinion has the power to shape high stakes practices.


This study is limited to my interpretations of the meanings readers ascribe to disability as discerned from reader online discussion posts. I make no claim of conclusiveness of these interpretations nor of the broader influence of reader discussion in the shaping of public opinion about disability. Instead I offer an examination of readers’ online discussion as an example of wider discussion of, and meanings associated with, disability. While a variety of readers posts were analyzed, those cited as evidence in this study pertained to beliefs about disability in the three themes I generated through data analysis. Many discussion posts not included would likely afford a variety of other interpretations. The novels discussed provide a sample for comparison, as reader comments were prolific and exemplify discussion around a diversity of disabilities, as well as representing both the point of view of characters with disabilities themselves and that of the mother of a child with a disability. The analysis also stems to a significant degree from book reviews posted by readers which often do not result in on-going discussion. Instead, my conclusions are limited to reader posts in which meanings readers attach to disability, and shifts in reader opinions may not be evident in included posts. Rather, this analysis is limited to the contents of the moment in time when readers post.

Appendix A

List of Books Included in Oprah’s Book Club 1996- 2010

Club Year Year of Publication Author Book
1 1996 1988 Hamilton, Jane Book of Ruth
2 1996 1996 Mitchard, Jacqueline The Deep End of the Ocean
3 1996 1977 Morrison, Toni Song of Solomon
4* 1997 1981 Angelou, Maya The Heart of a Woman
5* 1997 1997 Cosby, Bill The Meanest Thing to Say
6* 1997 1997 Cosby, Bill The Treasure Hunt
7* 1997 1997 Cosby, Bill The Best Way to Play
8 1997 1993 Gaines, Ernest, J. A Lesson Before Dying
9 1997 1987 Gibbons, Kaye Ellen Foster
10 1997 1989 Gibbons, Kaye A Virtuous Woman
11 1997 1995 Hegi, Ursula Stones from the River
12 1997 1992 Lamb, Wally She's Come Undone
13 1997 1995 Morris, Mary McGarry Songs in Ordinary Time
14 1997 1995 Reynolds, Sherri The Rapture of Canaan
15 1998 1998 Bohalijan, Chris Midwives
16 1998 1997 Cleage, Pearl What looks like crazy on an ordinary day
17 1998 1994 Danticat, Edwidge Breath, Eyes, Memory
18 1998 1997 Hoffman, Alice Here on Earth
19 1998 1998 Lamb, Wally I know this much is true
20 1998 1995 Letts, Billie Where the Heart is
21 1998 1997 Morrison, Toni Paradise
22 1998 1998 Quinland, Anna Black and Blue
23** 1999 1998 Binchy, Maeve Tara Road
24** 1999 1999 Clarke, Breena River Cross My Heart
25 1999 1999 Fitch, Janet White Oleander
26 1999 1994 Hamilton, Jane A Map of the World
27 1999 1999 Haynes, Melinda Mother of Pearl
28 1999 1998 Kingsolver, Barbara The Poisonwood Bible
29 1999 1991 Lott, Bret Jewel
30 1999 1999 Manasay, A. Manette Vinegar Hill
31** 1999 1995 Shlink, Bernhard The Reader
32 1999 1998 Shreve, Anita The Pilots Wife
33 2000 1999 Allende, Isabel Daughter of Fortune
34 2000 2000 Berg, Elizabeth Open House
35 2000 1991 Dubus III, Andre House of Sand and Fog
36** 2000 1999 Miller, Sue While I was Gone
37 2000 1999 Morgan, Robert Gap Creek
38 2000 1970 Morrison, Toni The Bluest Eye
39 2000 2000 O'Dell, Tawni Back Roads
40 2000 2000 Schwarz, Christina Drowning Ruth
41 2001 2001 Franzen, Jonathan The Corrections
42* 2001 1999 Malika Oufkir Stolen Lives: Twenty Years in a Desert Jail
43 2001 1995 1995 Mistry, Rohinton A Fine Balance
44 2001 1996 Oates, Joyce Carol We Were the Mulvaneys
45 2001 1998 Rubio, Gwyn Hyman Icy Sparks
46 2001 2001 Tademy, Lalita Cane River
47 2002 1997 MacDonald, Ann-Marie Fall on Your Knees
48 2002 1973 Morrison, Toni Sula
49 2003 1948 Patton, Alan Cry the Beloved Country
50 2003 1952 Steinbeck, John East of Eden
51 2004 1931 Buck, Pearl, S. The Good Earth
52 2004 1967 Garcia Marquez. Gabriel One Hundred Years of Solitude
53 2004 1940 McCullers, Carson The Heart is a Lonely Hunter
54 2004 1877 Tolstoy, Leo Anna Karenina
55 2005 1929 Faulkner, William The Sound and the Fury
56 2005 1932 Faulkner, William Light in August
57** 2005 1930 Faulkner, William As I lay dying
58* 2005 2003 Frey, James A Million Little Pieces
59* 2006 1955 Wiesel, Elie Night
60 2007 2002 Eugenides, Jeffery Middlesex
61 2007 2002 Follett, Ken The Pillars of the Earth
62 2007 1985 Garcia Marquez, Gabriel Love in the Time of Cholera
63** 2007 2006 McCarthy, Cormac The Road
64* 2007 2000 Poitier, Sidney The Measure of a Man: A Spiritual Autobiography
65* 2008 2005 Tolle, Ekhart A New Earth
66 2008 2008 Wroblewski, David The Story of Edgar Sawtelle
67*** 2009 2008 Akpan, Uwen Say You're One of Them
68 2010 1861 Dickens, Charles Great Expectations
69 2010 1859 Dickens, Charles A Tale of Two Cities
70 2010 2010 Franzen, Jonathan Freedom

Appendix B

Novel Summaries ( from

Stones from the River – Ursula Heigi (1995)

From the highly acclaimed, award-winning author of Floating in My Mother's Palm comes a stunning novel about ordinary people living in extraordinary times.

Trudi Montag is a Zwerg—a dwarf—short, undesirable, different, the voice of anyone who has ever tried to fit in. Eventually she learns that being different is a secret that all humans share—from her mother who flees into madness, to her friend Georg whose parents pretend he's a girl, to the Jews Trudy harbors in her cellar.

Ursula Hegi brings us a timeless and unforgettable story in Trudi and a small town, weaving together a profound tapestry of emotional power, humanity, and truth.

Icy Sparks – Gwynn Hyman Rubio (2001)

Icy Sparks is the sad, funny and transcendent tale of a young girl growing up in the mountains of Eastern Kentucky during the 1950’s. Gwyn Hyman Rubio’s beautifully written first novel revolves around Icy Sparks, an unforgettable heroine in the tradition of Scout in To Kill a Mockingbird or Will Treed in Cold Sassy Tree. At the age of ten, Icy, a bright, curious child orphIcy Sparks is the sad, funny and transcendent tale of a young girl growing up in the mountains of Eastern Kentucky during the 1950’s. Gwyn Hyman Rubio’s beautifully written first novel revolves around Icy Sparks, an unforgettable heroine in the tradition of Scout in To Kill a Mockingbird or Will Treed in Cold Sassy Tree. At the age of ten, Icy, a bright, curious child orphaned as a baby but raised by adoring grandparents, begins to have strange experiences. Try as she might, her "secrets"—verbal croaks, groans, and physical spasms—keep afflicting her. As an adult, she will find out she has Tourette’s Syndrome, a rare neurological disorder, but for years her behavior is the source of mystery, confusion, and deep humiliation.

Narrated by a grown up Icy, the book chronicles a difficult, but ultimately hilarious and heartwarming journey, from her first spasms to her self-acceptance as a young woman. Curious about life beyond the hills, talented, and energetic, Icy learns to cut through all barriers—physical, mental, and spiritual—in order to find community and acceptance.

Jewel – Brett Lott (1991)

Jewel and her husband, Leston, have been blessed by a fifth child, a girl they name Brenda Kay. But Brenda Kay, who was born with Down's syndrome, is also a challenge. In this inspirational and deeply moving audiobook, Jewel realizes that Brenda Kay is her special gift from God.

Reader Discussion Post Source
1 A Customer 1. (1998, November 24). Amazed at the hostility in these reviews! [Book Review]. Retrieved from Amazon
2 A Customer 2. (2001, March 30). One of my all time favorite books [Book Review]. Retrieved from Amazon
3 A Customer 3. (1999, November 28). Loved this book. Retrieved from Amazon
5 A Customer 6. (2000, March 28). How does he know? [Book Review]. Retrieved from Amazon
6 A Customer 7. ((1998, September 30). Definitely one to recommend. [Book Review]. Retrieved from
6 A Customer 8. (1997, June 21). Good, but not excellent [Book Review]. Retrieved from Amazon
7 A Customer 9. (2001, June 18). Great Emotions [Book Review]. Retrieved from Amazon
8 A customer 9c2. (2000, November 14). I thought this was a wonderful book [Book Review]. Retrieved from Amazon
10 A Customer 9x. (2002, March 18). Touching [Book Review]. Retrieved from Amazon
14 Ashley. (2010, April 24). Icy Sparks (Oprah’s Book Club) [Book Review]. Retrieved from Icy Sparks (Oprah’s Book Club) OBC Website
15 Author and Avid Reader. (2006, May 8). An important work, a masterpiece [Book Review]. Retrieved from =068484477X Amazon
17 Bearette24. (2000, July 27). Great Content, horrible writing [Book Review]. Retrieved from Amazon
18 Beverly Diehl. (2013, February 11). Stones that’ll stay with me. Retrieved from Amazon
19 (1999, August 17). Lott delicately touches a dozen painful nerves [Book Review]. Retrieved from Amazon
20 Bob Artege. (2005, July 30). One of my favorites [Book Review]. Retrieved from ttp:// =0142000205 Amazon
21 Brandi Stewart. (2002, March 11). The strong will endure [Book Review]. Retrieved from SIN=0142000205 Amazon
22 (1999, March 31). Contemporary Celtic Fiction [Book Review]. Retrieved from Amazon
24 Carolyn Seefer. (1997, August 12). Quite simply, a masterpiece [Book Review]. Retrieved from ttp:// Amazon
25 (1998, August 12). Ever wonder how the German’s let the Holocaust happen? [Book Review]. Retrieved from =068484477X Amazon
26 Christina B. Erickson. (2005, September 30). Amazing storyteller of a WWII coming of age [Book Review]. Retrieved from Amazon
28 Ellen Teo. (2012, September 24). More than I expected [Book Review]. Retrieved from =B000OZ0NVW Amazon
29 georgia_1_moses. (2001, June 8). Our Discussion Group’s thoughts [Book Review]. Retrieved from Amazon
32 I love reading and going on vacation with my family. (2012, March 27). A slow read, but absolutely beautiful. Retrieved from Amazon
33 Irishcoda. (2007, July 11). Icy Sparks (Oprah’s Book Club). Retrieved from Goodreads
34 Judy’s Reviews (2017, June 21). Icy Sparks. Retrieved from Goodreads
35 Justine Cardello. (2000, November 27). Another Oprah Disaster [Book Review]. Retrieved from Amazon
37 Kay Mitchell. (2000, May 14). How different is different? [Book Review]. Retrieved from Amazon
38 Kelly Budd. (2001, March 30). A Courageous Story [Book Reivew]. Retrieved from Amazon
39 Kerrie. (2001). Icy Sparks Discussion Group [Discussion Group]. Retrieved from OBC Website
39 Kiel. (2018, February 12). Icy Sparks. Retrieved from Goodreads
40 Kristine. (2001). Icy Sparks Discussion Group [Discussion Group Post]. Retrieved from OBC Website
41 L.M. Boilard. (2002, February 3). Enjoyable Characters...3 1/2 stars [Book Review]. Retrieved from N=0142000205 Amazon
42 Lisa Fischbach. (2002, September 22). Excellent Read [Book Review]. Retrieved from ASIN=067003049X Amazon
43 Loubr. (2013, February 8). Great book [Book Review]. Retrieved from Amazon
44 Mary Haunreiter. (2000, February 23). A mother’s love for her handicapped child. Retrieved from Amazon
45 Mauricewms. (2001, April 11). It crept up  on me [Book Review]. Retrieved from Amazon
47 Red Haircrow: Writer, Educator and More. (2011, June 9). Personal Commentary and Review [Book Review]. Retrieved from Amazon
48 Robert Spencer. (1998, June 23). A great twentieth century masterpiece [Book Review]. Retrieved from Amazon
49 Sabel. (2007, July 6). It will give you a deeper understanding [Book Review]. Retrieved from Amazon
50 Scorpiogirl. (2001, July 15). Heartbreaking and hilarious [Book Review]. Retrieved from Amazon
51 Sharon Kinman. (2012, December 25). Icy Sparks [Book Review]. Retrieved from =B000P29HZC Amazon
53 suz. (2012, March 3). These jewels didn’t sparkle [Book Review]. Retrieved from Amazon