Entretien avec David Bobier de VibraFusionLab

Auteurs-es

  • David Bobier VibraFusionLab in London, Ontario
  • Kim Sawchuk Concordia University
  • Samuel Thulin Independent Artist and Researcher

DOI :

https://doi.org/10.15353/cjds.v10i2.800

Résumé

Fondateur et directeur de VibraFusionLab, David Bobier parle de la genèse de ses explorations de la vibration et de l’accessibilité dans la création artistique, de ses collaborations actuelles, des effets de la pandémie de COVID-19 sur les œuvres d’art vibrotactiles et les problèmes d’accès ainsi que de l’avenir de VibraFusionLab. Il a été interviewé par les éditeur·es de ce numéro spécial, Kim Sawchuk et Samuel Thulin, le 23 novembre 2020. David Bobier a été coprogrammateur et artiste à l’exposition Vibrations à Montréal, lancée en parallèle du symposium VIBE.

Bibliographies de l'auteur-e

David Bobier, VibraFusionLab in London, Ontario

David Bobier is a hard of hearing and disabled identified media artist whose creative practice is researching and developing multi-sensory and vibrotactile technology as a creative medium. This work led to his establishment of VibraFusionLab in London, Ontario, a creative multi-media, multi-sensory centre that has gained a reputation as a leader in accessibility for the Deaf and Disability Arts movement in Canada and abroad. The Lab is now situated at the artist’s studio in Thorndale, Ontario just outside of London.

            As a prac­tic­ing artist his exhi­bi­tion career includes 18 solo and over 30 group exhi­bi­tion projects across Canada, in the United States and the UK. Bobier’s independent work as an artist and as Director of VibraFusionLab has received funding from Canada Council for the Arts, Ontario Arts Council, Social Sciences and Humanities Research Council of Canada, Ontario Centres of Excellence, Grand NCE (National Centres of Excellence), Province of Quebec and British Council Canada.

            Bobier has served in advisory roles in developing Deaf and Disability Arts Equity programs for both Canada Council for the Arts and the Ontario Arts Council and was an invited participant, more recently, in the Canada Council for the Arts – The Arts in a Digital World Summit and a panel presenter at the Global Disability Summit in London, UK. Bobier has twice received Canada Council for the Arts funding to do ongoing research of the Deaf and Disability Arts movement in the United Kingdom.

Kim Sawchuk, Concordia University

Kim Sawchuk, Principal Investigator of the ACT team,  is a Professor in the Department of Communication Studies at Concordia University, and Concordia University Research Chair in Mobile Media Studies. Sawchuk has been writing on age, ageing and its cultural impact since 1996. She is most well-known for her research on “seniors and cell phones” conducted with Dr Barbara Crow of York University as well her research-creation work in Critical Disability Studies. Sawchuk is a co-founder of the Mobile Media Lab (York-Concordia) located in Concordia’s Department of Communication Studies. She has just completed a six-year term as the editor of the Canadian Journal of Communications (www.cjc-online.ca) and she is the co-editor of Wi: journal of mobile media (www.wi-not.ca). In addition to her academic research, in 1996 Sawchuk co-founded of StudioXX,  a feminist research and media arts centre in Montréal.

Samuel Thulin, Independent Artist and Researcher

Samuel Thulin is an artist, researcher, and educator interested in the specificities of spaces and places, and in the movements and resonances of bodies, data, and sounds. Through his artworks and publications he has explored: locative media and contested senses of place; confluences of cartography and auditory culture; self-tracking, chronic illness, and datafication; and creative and emergent research methodologies. He has exhibited his work, given workshops, and presented research at venues in Canada, the US, Mexico, Argentina, the UK, Sweden, Denmark, the Czech Republic, Spain, and Greece. Originally from Nortondale, New Brunswick and currently based in Tiohtià:ke/Montréal, he holds a PhD in Communication Studies from Concordia University.  Visit his website at: https://samuelthulin.com/

Téléchargements

Publié-e

2021-10-08

Comment citer

Bobier, D., Sawchuk, K., & Thulin, S. (2021). Entretien avec David Bobier de VibraFusionLab. Revue Canadienne d’études Sur Le Handicap, 10(2), 237–254. https://doi.org/10.15353/cjds.v10i2.800

Numéro

Vol. 10 No. 2 (2021): VIBE: Challenging Ableism and Audism Through the Arts

Rubrique

Practitioner's Notes

Licence

Licence Creative Commons

Cette œuvre est sous licence Creative Commons Attribution - Pas d'Utilisation Commerciale - Pas de Modification 4.0 International.

There are no article processing or submission charges for CJDS authors.

Author(s) are not required to assign their copyright in and to their article to the Canadian Journal of Disability Studies. Instead, The CJDS asks for one-time rights to print this original work.

All articles in the journal are assigned a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International (CC BY-NC-ND 4.0) license.

Authors are asked to contact the journal Editor if they wish to post the article on any website; translate or authorize a translation of the article; copy or otherwise reproduce the article, in any format, beyond what is permitted under Canadian copyright law, or authorize others to do so; copy or otherwise reproduce portions of the article, including tables and figures, beyond what is permitted under Canadian copyright law, or authorize others to do so.

Contacting the Editor will simply allow us to track the use and distribution of your article.  We encourage use for non-commercial, educational purposes. 

Authors must provide proof of permission clearance prior to the publication of their work if they are including images or other materials that are not their own.  Keep in mind that such clearance can at times be costly, and often takes time.  The journal editor can often work with you to seek permissions if you need information, advice or assistance.